Quick Summary
Martin Scorsese’s infamous comments about superhero movies “killing cinema” are amplified in HBO’s The Franchise, a comedy series that offers both a satirical and serious critique of the superhero genre’s dominance in Hollywood. By highlighting the challenges faced by filmmakers and the impact of blockbuster culture, the show delves into the larger issues plaguing the film industry today. While superhero films are still a dominant force in the box office, The Franchise raises important questions about their long-term effects on cinematic diversity, artistic integrity, and the future of filmmaking as a whole.
Introduction
When Martin Scorsese, one of cinema’s greatest living directors, made his controversial comments about superhero films, calling them “not cinema,” it sent shockwaves throughout the industry. Superhero movies, especially those of the Marvel Cinematic Universe (MCU), had already dominated the global box office for over a decade, and Scorsese’s words seemed to challenge their cultural significance. In the wake of his remarks, HBO’s The Franchise, a new show that satirizes Hollywood’s obsession with superheroes, has only intensified the conversation about what superhero movies have done to the traditional film industry.
In this blog post, we’ll dive deep into Scorsese’s perspective, examine how The Franchise mirrors and amplifies his critique, and discuss whether superhero films are truly “killing” cinema. By the end of this article, you’ll have a better understanding of how the rise of superhero movies has reshaped the film industry and why the debate is far from over.
The Growing Debate: “Superhero Movies Killed Cinema” – What Does Scorsese Really Mean?
Who is Martin Scorsese and Why Does His Opinion Matter?
To understand the weight of Martin Scorsese’s comments, it’s important to grasp who he is and why his opinion carries so much authority in the world of cinema.
Scorsese is a director whose body of work has shaped modern cinema in profound ways. From Taxi Driver (1976) to Goodfellas (1990) and The Irishman (2019), his films have pushed boundaries in both storytelling and technical achievement. He is not only known for his visionary filmmaking but also for his outspoken advocacy of traditional film as an art form.
When Scorsese critiques modern cinema, his views aren’t coming from a place of disdain but from a concern for the future of an industry he’s devoted his life to. This makes his opinion not just relevant but essential to any discussion about the current state of film.
The Legacy of Martin Scorsese’s Critique of the MCU
In 2019, Scorsese stirred the pot by stating that superhero films, particularly those in the MCU, were “not cinema” and were more akin to “theme parks.” He argued that these films were formulaic, lacking the artistic depth that he believes defines true cinema.
His comments were met with immediate backlash from fans and filmmakers, particularly those involved with the MCU, who argued that superhero films are deeply rooted in cultural storytelling. However, Scorsese’s stance wasn’t just about superhero movies themselves; it was about the broader implications for the film industry.
Here are a few key points Scorsese made:
- Lack of Authenticity: Scorsese believed that superhero films, especially those made under massive studio control, often focus more on spectacle than on meaningful storytelling.
- The Diminishing Space for Non-Blockbuster Films: He worried that the overwhelming success of superhero franchises was pushing smaller, original films out of theaters, making it harder for diverse and experimental narratives to thrive.
While Scorsese’s critique remains divisive, it’s important to note that he’s not the only one voicing concerns. As reported by The Independent, Other filmmakers, like James Cameron and Francis Ford Coppola, have echoed similar sentiments, each adding their unique perspective to the ongoing debate about the state of cinema.
HBO’s The Franchise: Satire or Serious Critique?
What Is The Franchise and How Does It Relate to Martin Scorsese’s Comments?
The Franchise is a new HBO series that takes aim at the superhero film industry, blending satire and sharp social commentary to reflect on the perils of Hollywood’s obsession with blockbusters. The show is set in a fictional world where a group of writers, directors, and actors find themselves entangled in the business side of making superhero movies, all while navigating the absurdities of the genre.
In many ways, The Franchise serves as a mirror to Scorsese’s views, especially when it comes to how superhero movies dominate the industry and affect creative freedom. While the show is certainly comedic in nature, it takes a hard look at the machine behind the movies, highlighting how the industry has shifted from crafting meaningful narratives to focusing on creating the next big franchise.
“Scene 113: The Bridge” – The Episode That Takes Aim at Hollywood and the MCU
In The Franchise, episode 113, titled The Bridge, the show delivers a biting commentary on the Hollywood system’s current state. In this episode, the characters are tasked with creating a new superhero film that ticks all the right boxes—big explosions, a charismatic hero, and a storyline that guarantees global appeal. The writers discuss how they must tailor the film to international tastes, essentially stripping away any depth or authenticity in favor of marketability.
This scene mirrors Scorsese’s argument about the loss of authentic cinema. It demonstrates how blockbuster superhero films often prioritize global box office numbers over artistic expression, a concern that Scorsese raised in his critique of the MCU.
The State of Cinema Today: Are Superhero Movies Really “Killing” It?
The conversation about whether superhero movies are “killing” cinema has been around for a while now, but is there truth to the claim? Are these films really changing the way we experience cinema, and if so, is it for the worse?
The MCU’s Domination of the Box Office
The MCU’s meteoric rise over the past decade is hard to ignore. With films like Avengers: Endgame (2019) breaking box office records, it’s clear that superhero movies have captured the hearts and minds of audiences worldwide.
Here are a few key stats that show the MCU’s dominance:
- Avengers: Endgame grossed over $2.798 billion worldwide, becoming the highest-grossing film of all time (at least until it was surpassed by Avatar).
- The MCU has released over 30 films since 2008, creating a universe of interconnected stories that fans eagerly follow.
While this success has undoubtedly changed the film industry, many critics, including Scorsese, argue that this level of dominance has reshaped the entire landscape of cinema.
Superhero Fatigue – Are Audiences Growing Tired of the Genre?
Despite the MCU’s financial success, there are signs that audiences might be growing weary of superhero movies. The once-thriving excitement for each new release seems to be waning, with recent box office performances showing signs of a plateau.
For instance, Ant-Man and the Wasp: Quantumania (2023) received mixed reviews and grossed far less than previous MCU films, indicating a possible dip in interest.
Here are some signs that superhero fatigue is setting in:
- Decreased Box Office Returns: Some recent superhero films haven’t performed as well as expected.
- Critical Reception: As superhero movies become more formulaic, critics are becoming increasingly vocal about the lack of innovation in the genre.
This is where Scorsese’s argument holds some weight. The constant churn of superhero films might be leading to a sense of oversaturation, pushing audiences away and leaving less room for diverse genres to thrive.
The Changing Definition of “Cinema” in the Age of Superheroes
The rise of superhero movies has forced us to reconsider what “cinema” actually is. Traditional definitions of cinema often prioritize artistic and emotional depth—films like The Godfather (1972) or Schindler’s List (1993), for example, are widely celebrated not just for their storytelling but for their ability to evoke powerful emotions and challenge societal norms.
However, superhero films tend to focus on spectacle and global appeal, often sacrificing depth in favor of action-packed narratives and recognizable characters. This shift has left some wondering: Can superhero movies truly be considered “cinema” in the traditional sense?
Here are some of the questions surrounding this shift:
- Is the focus on action, CGI, and large-scale spectacle detracting from storytelling?
- How do we balance global appeal with the integrity of local or niche stories?
- Can traditional filmmakers continue to succeed in an era dominated by superhero blockbusters?
The Franchise and Its Social Commentary: More Than Just a Comedy
Satire with a Purpose: What The Franchise Really Reveals About Hollywood
At first glance, The Franchise might seem like a typical comedy that pokes fun at the superhero genre and its overwhelming presence in Hollywood. However, beneath the laughs and absurd situations, the show offers a sharp critique of the entertainment industry’s current state, especially the way superhero films dominate the market.
The show’s central premise revolves around the writing team tasked with creating the next big superhero franchise. As they navigate the ridiculousness of the corporate machine, the show highlights several key issues, many of which directly relate to Scorsese’s critiques:
- The Homogenization of Cinema: Much like Scorsese’s complaints about the formulaic nature of superhero films, The Franchise satirizes the way studios prioritize safe, tried-and-true formulas over original, risk-taking storytelling.
- The Influence of Commercialization: The series portrays how corporate interests and global marketability are increasingly dictating the content of films. This aligns with Scorsese’s argument that art is often sacrificed for the sake of massive box office returns.
- The Lack of Creative Freedom: The Franchise gives us an inside look at how directors, writers, and actors feel constrained by the need to adhere to a superhero formula. This reflects how the pressure to succeed within an established franchise leaves little room for new ideas.
While the show takes a comedic approach to these serious issues, it succeeds in raising important questions about the future of cinema. Is Hollywood’s obsession with superhero films really as damaging as critics like Scorsese claim? Or is the genre simply evolving in a way that allows it to coexist with other forms of cinema?
Is The Franchise Just a Comedy, or Is There a Deeper Message?
Despite its comedic tone, The Franchise is a thoughtful commentary on the broader trends in filmmaking today. It’s not just about mocking superhero films but rather exploring how they fit into the larger cultural conversation about what we value in entertainment.
In one particularly memorable scene, the main characters are asked to “water down” a script to appeal to as many countries as possible, demonstrating how movies are often edited to satisfy global tastes rather than stay true to the filmmaker’s original vision. This highlights the tension between creative artistry and commercial necessity—a theme that runs deep in Scorsese’s original critique of superhero films.
The Growing Competition: Are Superheroes Losing Their Grip on Popular Culture?
The Rise of Other Genres
While superhero films have reigned supreme for the past decade, other genres are beginning to rise in popularity, challenging the MCU’s monopoly on the box office.
- Streaming Platforms and Diverse Content: With the rise of platforms like Netflix, Amazon Prime, and Disney+, audiences have more options than ever before. These platforms are not only producing superhero content but also championing other genres, such as drama, horror, sci-fi, and even indie films. Shows like The Crown and Stranger Things have garnered massive followings, showing that audiences are hungry for diverse storytelling beyond capes and spandex.
- Reboots and Reimaginings: The success of original content like Oppenheimer (2023), directed by Christopher Nolan, shows that audiences are still interested in films that focus on real-world narratives and complex characters.
- The Return of Classic Genres: In recent years, we’ve seen a resurgence of classic genres like horror and action-thrillers. Films like Barbarian (2022) and John Wick 4 (2023) have brought new life to these genres, signaling that superhero films are no longer the only game in town.
The Rise of the Anti-Superhero Narrative
Perhaps even more telling is the rise of anti-superhero narratives that critique or subvert the very genre they belong to. Shows like The Boys and Invincible explore the darker, more cynical side of superhero culture, examining what happens when power is abused, and heroes are not always the virtuous figures they’re portrayed to be. These shows not only satirize superhero tropes but also offer a fresh perspective that is appealing to audiences who might be feeling the fatigue of traditional superhero movies.
- Superheroes as Corrupt Figures: Shows like The Boys present a world where superheroes are more about power and control than saving the day. This darker take provides a refreshing twist on the superhero genre, offering depth and complexity to characters often portrayed as one-dimensional.
- Deconstruction of the Heroic Myth: Invincible, another animated series, delves into the psychological toll of being a superhero and the emotional conflict that comes with immense power. This subversion of traditional superhero narratives highlights the saturation of the genre while offering a critique of what superhero films have become.
The question remains: Are superhero movies still holding a dominant position in popular culture, or are audiences increasingly seeking something new?
Is the End of Superhero Movies Near?
The Impact of Superhero Fatigue
Superhero films have had a remarkable run, but recent signs suggest that the genre might be experiencing what some are calling “superhero fatigue.” In 2023 and 2024, we’ve seen box office performances of certain superhero films, particularly from the MCU, fall short of expectations. While some films still perform well, others, like Ant-Man and the Wasp: Quantumania and The Flash, have faced disappointing returns.
- Declining Box Office Numbers: For the first time in years, we’re seeing superhero movies underperforming at the box office. Audiences who once flocked to theaters for each new MCU release are becoming more selective, and some are choosing to stay home and watch superhero shows on streaming platforms instead.
- Fatigue with Franchise Overload: With so many interconnected superhero films, there’s a growing sense that audiences have seen it all. The constant barrage of Marvel and DC content may be causing a saturation point where even die-hard fans are beginning to tire of the formula.
- The Need for Reinvention: Filmmakers and studios will need to find a way to reinvigorate the genre. New and innovative takes on superhero films might be required to keep audiences engaged. A shift from the current formulaic approach toward more diverse, fresh perspectives could breathe new life into the genre.
Will the MCU Ever “End”?
The MCU has always been about building a larger-than-life universe, but even the most successful franchises face a natural arc. The question is, how long can the MCU keep going before it collapses under its own weight?
The future of superhero films might not be about a sudden end, but rather a transformation. Studios may begin to experiment with more stand-alone stories, breaking away from the endless crossover events that have defined the MCU’s recent years.
Conclusion: Does The Franchise Accurately Predict the Future of Cinema?
The Franchise provides a biting commentary on the state of Hollywood and superhero films, but does it accurately predict where cinema is headed? While the show is undoubtedly a satire, it does shine a light on real issues that filmmakers and audiences are facing today.
Superhero movies have had an undeniable impact on the entertainment industry, but as we see a shift in audience tastes and a rise in competition from other genres, it’s clear that the future of cinema might not be as one-sided as it once seemed. The genre is likely to evolve, with new approaches and creative risks taking center stage.
Whether or not superhero films continue to dominate the box office, The Franchise reminds us that cinema is about more than just spectacle. It’s about the stories we tell and the ways we connect with them—something that will remain relevant no matter what shape the next big thing in cinema takes.
The Franchise
The Franchise is a Max original comedy series that follows a film crew documenting the chaotic production of a superhero movie franchise. It satirizes the industry’s struggles and the high expectations placed on maintaining a long-running series.
Where to Watch
Not available
Cast
Billy Magnussen, Jessica Hynes, Darren Goldstein, Lolly Adefope, Isaac Powell, Daniel Brühl, Richard E. Grant
Release Date
October 6, 2024
Seasons
1
Network
HBO Max
Streaming Service(s)
Max
Frequently Asked Questions
1. What does Martin Scorsese mean when he says “superhero movies are killing cinema”?
Martin Scorsese’s comments about superhero films have sparked widespread debate. He argues that superhero movies, particularly those from Marvel and DC, are dominating the film industry to the point where they overshadow other forms of storytelling. Scorsese believes that this focus on large-scale blockbusters undermines the artistry of cinema, as studios prioritize commercial success over creativity. He suggests that the rise of superhero films limits the opportunity for original, diverse narratives to flourish in theaters.
2. Is The Franchise a satire of superhero movies or a serious critique?
The Franchise is both a satire and a serious critique. While the show uses humor to highlight the absurdity of the superhero genre’s dominance, it also presents a thoughtful examination of how commercial interests shape the filmmaking process. By showcasing the challenges faced by filmmakers within the superhero genre, the show asks important questions about the future of cinema and whether we’ve sacrificed artistic integrity for blockbuster success.
3. Are superhero movies really “killing” cinema, or is it just a phase?
The idea that superhero films are “killing” cinema is subjective. While it’s true that superhero movies dominate box offices, they also reflect audience demand for action-packed, franchise-driven content. However, this saturation may be causing fatigue, with many viewers beginning to seek out more diverse and original content. While superhero films aren’t likely to disappear completely, we may see a shift toward innovation within the genre or the rise of new storytelling forms.
4. What makes superhero movies so popular, and why do they dominate the box office?
Superhero films resonate with audiences for several reasons:
- Escapism: They offer thrilling action, larger-than-life characters, and fantastical worlds that provide an escape from reality.
- Franchise Building: The interconnected storylines across multiple films keep audiences invested over a long period of time.
- Global Appeal: Superhero movies are crafted to appeal to a wide range of international audiences, making them ideal for global box office success.
- Nostalgia: Many viewers grew up with superhero comics and are excited to see their favorite characters brought to life on screen.
5. Are superhero movies starting to lose their popularity?
Some signs suggest that superhero fatigue is setting in. Recent superhero films, particularly from the MCU, have seen disappointing box office performances, signaling a shift in audience preferences. Viewers are becoming more selective about which superhero movies they support, and some are opting for other types of films and shows. However, superhero films still hold a dominant position, and the genre will likely continue to evolve rather than disappear entirely.
6. What are some of the most notable anti-superhero films or shows?
Anti-superhero narratives are gaining traction as a sub-genre that critiques the traditional superhero formula. Some examples include:
- The Boys: A TV show that subverts the superhero genre by exploring a world where heroes are corrupt and often more dangerous than the villains they fight.
- Invincible: This animated series focuses on the psychological and emotional struggles of a young superhero, exploring the consequences of immense power and the impact of violence.
- Watchmen: Based on the iconic graphic novel, the series explores the moral dilemmas of masked vigilantes in a dystopian world, raising questions about power, responsibility, and identity.
7. What does the future of cinema look like, according to The Franchise?
The Franchise suggests that the future of cinema may be marked by greater diversity in storytelling. The dominance of superhero films may start to wane, allowing other genres and original content to reclaim the spotlight. It’s possible that filmmakers will return to experimenting with new, innovative ideas and take risks that could lead to the next big cinematic movement. Ultimately, The Franchise reflects the belief that cinema is about more than just spectacle—it’s about meaningful stories that resonate with audiences.
Author’s Note
Thank you for taking the time to dive into this exploration of The Franchise and its critical commentary on superhero movies. As the entertainment industry continues to evolve, the debate surrounding the dominance of superhero films remains one of the most pressing issues for filmmakers, critics, and audiences alike. This blog post was crafted to provide a balanced and thoughtful analysis, touching on the ongoing challenges in the cinematic world and how shows like The Franchise are using satire to ask important questions about the future of film.
Whether you’re a lifelong superhero fan, a casual viewer, or someone who’s more inclined toward the art of filmmaking, I hope this article has sparked some reflections on the broader implications of today’s blockbuster culture. If you’re interested in exploring these topics further, don’t hesitate to check out the recommended sources and articles linked throughout the post. The future of cinema is in a state of flux, and it’s conversations like this that help keep the industry moving forward.
Feel free to leave your thoughts, comments, or questions below—I’d love to hear from you!
Mary Linda
Mary Linda is the lead author at Celebrity To People, where she brings her expertise and passion for celebrity journalism to the forefront. With a distinguished career spanning five years in the writing industry, Mary has contributed to numerous reputable publications before finding her niche in the world of celebrity news and stories.
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